Davey collaborates with Synthetic Intelligences (AI) to explore the boundaries of natural phenomena and propose ‘alternative’ architectures and physical earthly realities. Through engagement with non-human sentients, his work looks at the unique possibilities of abstraction afforded by engaging with non-human sentients.  Machines have different cultural landscapes and visual training and therefore create very different visualities.

The video works look at many possible futures through AI and other mediums to work toward technological ecosystems based on machinic abstractions and hybridization. Whitcraft uses AI to propose ‘technologically native’ abstractions in video, exploring what AI’s ‘natural mode’ of creativity can be with minimal human intervention.

The audio for these works was created by Aaron Lepley, a composer, performer, and educator who currently lives in Austin, TX. His music ranges from works for full orchestra, small ensembles, solo pieces, electronic music, and various hybrids thereof. He received the Master of Music in Composition from the University of South Florida. He creates original compositions for advertisements, film, and multimedia art installations.

These video works are a love letter to the natural world, an invitation to come closer to the surrounding that we are deeply intertwined with. 


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The Altogether Now, 2022. 42 x 74 Inches. Single channel 4k video with stereo audio, 4 Minutes running time. 

Video piece shot with modified drone and traditional cinema cameras which have been altered to be sensitive to Infrared, Ultraviolet and visible light spectrums. This work destabilizes anthropocentric visual traditions and, with the help of technology, proposes alternative architectures via landscape, hybridizing the natural and man-made worlds. 42 x 74 Inches. Single channel 4k video with stereo audio, 4 Minutes running time. The soundtrack for Altogether Now was actualized by creating variations of the pitches (order and register) and rhythms (duration and order) of a prescribed motif. Soundtrack composed by Aaron Lepley.

Metaphysical Supplements I, 2022. 42 x 74 Inches. Single channel 4k video with 5 Channel audio, 3 Minutes running time. 

This video piece is composed of 100,000 frames of material which came from the latent space of an AI Neural Network trained on Earth based landscapes. This work questions a single cultural conception of landscape by allowing a machine to ‘daydream’ about landscapes. Since machines have alternative aesthetic conditioning and preferences, the results question our own more rigid anthropocentric visual conditioning. 42 x 74 Inches. Single channel 4k video with 5 Channel audio, 3 Minutes running time. Samsung Art Frame display. All tonal material for Metaphysical Supplements is based on the pitch collection- Ab, Bb, C, D, Eb, F, & G and were "performed" randomly in varying order and rhythm by MAX MSP (interactive visual programming language for music and multimedia) thus creating the main melody. Soundtrack composed by Aaron Lepley.

Love Right Now, 2022. Custom hardware, software and LED lighting. Running time 39 Minutes.

This light and sound installation utilizing LED light sculptures, custom software/hardware and custom loudspeakers which work together to capture ambient frequencies from wi-fi signals, creates an immersive, meditative light and sound experience based on localized internet traffic. This work interrogates the idea of the visible and invisible, and turns the idea of productivity/labor/technology on its head by repurposing raw web data as a basis for an alternative natural experience - a communing with a different type of natural environment - a ‘natural’ environment of radio frequencies that exist as a by-product of the massive scale of cognitive labor transmitted over the wifi airwaves all over the planet. Collaboration with Aaron Lepley.